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Along the River During the Qingming Festival

Download free 3D printing models Along the River During the Qingming Festival, stlfilesfree
Download free 3D printing models Along the River During the Qingming Festival, stlfilesfreeDownload free 3D printing models Along the River During the Qingming Festival, stlfilesfreeDownload free 3D printing models Along the River During the Qingming Festival, stlfilesfreeDownload free 3D printing models Along the River During the Qingming Festival, stlfilesfreeDownload free 3D printing models Along the River During the Qingming Festival, stlfilesfreeDownload free 3D printing models Along the River During the Qingming Festival, stlfilesfree
Download free 3D printing models Along the River During the Qingming Festival, stlfilesfree

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stl format.3d model of works of famous ancient Chinese painter.

Along the River During the Qingming Festival, also known by its Chinese name as the Qingming Shanghe Tu, is a painting by the Song dynasty artist Zhang Zeduan (1085–1145). It captures the daily life of people and the landscape of the capital, Bianjing (present-day Kaifeng) during the Northern Song. The theme is often said to celebrate the festive spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers. Successive scenes reveal the lifestyle of all levels of the society from rich to poor as well as different economic activities in rural areas and the city and offer glimpses of period clothing and architecture.[1] The painting is considered to be the most renowned work among all Chinese paintings,[2][3][4] and it has been called "China's Mona Lisa."[5]

As an artistic creation, the piece has been revered and court artists of subsequent dynasties made re-interpretive versions, each following the overall composition and the theme of the original but differing in details and technique.[6] Over the centuries, the Qingming scroll was collected and kept among numerous private owners, before it eventually returned to public ownership. The painting was a particular favorite of Puyi, the Last Emperor, who took the Song dynasty original with him when he left Beijing. It was re-purchased in 1945 and kept at the Palace Museum in the Forbidden City. The Song dynasty original and the Qing versions, in the Beijing and Taipei Palace Museums respectively, are regarded as national treasures and are exhibited only for brief periods every few years.[7]
----From Wikipedia
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